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  1. #1
    Join Date
    Jun 2007
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    3891

    universal neck machine

    so, ive been working on various guitar projects, and one of the biggest issues ive had in general is that every time you alter a design, you often have to remake your jigs. in addition you have to swap them out every time you want to mill a different design, then youve also got multiple for each design - front, back, fretboard, headstock, etc.

    having a special jig for each operation is ok if you are making 1000 of the same item, but if you want to make custom guitars as most small builders do, you need to be able to slap on a block of wood and have the machine cut it without lost time screwing around with jigs.

    make sense? no? ok, good... haha.

    this is my solution:


    this is a universal neck jig for a dedicated neck making cnc machine.. the central tube is a rotary axis. each side has a vacuum fixture. each fixture is the same in the image, but ultimately will be one for the back of the neck, one for the front, one for the rough wood squaring, and one for the fretboard. the neck angle is adjustable by cnc and it has inserts for headstock shapes. basically it can accomodate almost any neck, from a telecatser to a 9 string multi scale neck through.

    the machine it goes on has a travelling column with about 50" travel in the X, and a swiveling spindle, making the setup 5 axis.

    the rotary axis moves in the Y, which lets it move the fretboard to a belt sander to radius fretboards. fret slots are cut with a saw on the swivel axis.

    combined with some clever software that takes the custom order and compiles the gcode automatically, it basically allows every neck to be completely different yet still have most of the economies of high volume fixtured production.

    so any thoughts?

  2. #2
    Join Date
    Oct 2007
    Posts
    1027

    good idea

    I also thought of using the rotary axis,if you were planning on doing a few similar necks this would work fine.

  3. #3
    Join Date
    Apr 2004
    Posts
    177
    Why send the neck to a sander to arch the fretboard when you can do it right with the cnc with a roundnose bit? I would think this would be more do-able with one rotating neck instead of 4 unless you are planning on setting up a factory..:-).

  4. #4
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    Jun 2007
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    3891
    Quote Originally Posted by luthier View Post
    Why send the neck to a sander to arch the fretboard when you can do it right with the cnc with a roundnose bit? I would think this would be more do-able with one rotating neck instead of 4 unless you are planning on setting up a factory..:-).
    have you ever done a fretboard with a ball nose? it leave a terrible finish with lots of tearing and takes ages.

    and the jig has 4 sides for different opperations, and yes, the entire point of this thing is for a small factory.

  5. #5
    Join Date
    Apr 2004
    Posts
    177
    Well you asked for thoughts.....Yes I have used a round nose router bit for fretboards, in fact I radiused my fretboards with a straight router bit for a decade with a regular router in a jig I designed. You need to sand the final surface with the varying grits before fretting anyway so a little more with a radius block isn't that tough. It just seems that developing a machine to then go to a belt sander adds a lot more problems to the engineering of it. Good luck on your venture.

  6. #6
    Join Date
    Jun 2007
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    3891
    the problem with the ball nose is it tears the wood alot on the surface and edges. sanding is better for rouging making the machine do the sanding is not hard.

    ideally id be using a custom concave spiral carbide bit, but they cost $300 each, and you need one for each radius, so they dont make sense for variable production runs.

  7. #7
    Join Date
    Sep 2007
    Posts
    8
    Not sure what you guys are talking about on fret boards and ball nose?

    We use a 3/4" ball nose at 6% step at 600 inch/per/min(machine never max's out in the short distance...... not sure the actual speed) and 20,000 rpm.........takes little or no sanding and the time is 6.5 minutes per fret board. No chipping or tear out.

    Kevin

  8. #8
    Join Date
    Dec 2006
    Posts
    406
    I have also had good luck with cutting a compound radius fretboard with a ballnose. The tool was 1/32" dia. There was no tearing and the finish was almost as good as finish sanded. I used a .025 flat endmill to cut the inlay cutouts and fret slots. This was done on a machining center not a router at 8000 rpm. The last op was the profile with a 1/4" tool. Total machining time was maybe an hour. The sander would make things quicker so it's not a bad idea to put it under Cnc control if your not doing compound radius boards. The jig is a great idea for small production runs so good luck with it.
    Judleroy

  9. #9
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    Jun 2007
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    3891
    Quote Originally Posted by judleroy View Post
    .....Total machining time was maybe an hour.
    thats where the problems start. 1 hour in my shop = a $200 fretboard. doesnt make much practical sense when your trying to sell the entire guitar for $599

    thats why the jig and machine is the focus here, to make things like fretboard radii fast and easy. a minute or 2 for a radiussed and slotted fretboard is an upper limit.

    when youve only got a few guitars to make a week and selling them for several thousand dollars, none of this is that important.

  10. #10
    Join Date
    Dec 2006
    Posts
    406
    How many of these are you trying to make in a week? If it's as many as you seem to imply it's probably not even worth your time to machine them in house.(wow 200.00 dollars an hour. I wish I could get away with charging that). Stewart McDonald offers pre radiused and slotted fingerboards at pretty decent prices.
    Judleroy

  11. #11
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    Jun 2007
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    3891
    Quote Originally Posted by judleroy View Post
    How many of these are you trying to make in a week? If it's as many as you seem to imply it's probably not even worth your time to machine them in house.(wow 200.00 dollars an hour. I wish I could get away with charging that). Stewart McDonald offers pre radiused and slotted fingerboards at pretty decent prices.
    Judleroy
    i thin youve over looked the entire point of the setup. its to be able to handly variable designs efficiently in production. last i checked stew mac doesnt hand 8 string 24 fret multi scale fretboards in purpleheart...

    the production rate im looking for is around 300-500 necks a month from one machine.

  12. #12
    Join Date
    Dec 2006
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    406
    If you get a chance I'd love to see some pictures of the models you will be offering. I have been playing for years and am always interested in seeing quality instruments.
    Judleroy

  13. #13
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    Jun 2007
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    3891
    Quote Originally Posted by judleroy View Post
    If you get a chance I'd love to see some pictures of the models you will be offering. I have been playing for years and am always interested in seeing quality instruments.
    Judleroy
    theres a number of possiblilities for this machine, the main thought is custom built to order kits and guitars like carvin does. ive got several original designs, but for kits, this is the primary interest:



    thats my solidworks model. it has a few parameters set to make it easily modified. can change the scale, number of frets, headstock angle, number of strings, body thickness, and neck joint type, in addition to the normal stuff like pickup routing and headstock shapes.

  14. #14
    Join Date
    Oct 2004
    Posts
    12

    great work

    I am impressed with your solidworks design and concept. I use Rhino 3D and visual mill. I am interested in how you set parameters to change models such as scale length. Do you type in a number and the model changes automatically? Do you have a lookup table for different parameters for your instruments? Tell me more please.

  15. #15
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    Jun 2007
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    3891
    Quote Originally Posted by fbazan View Post
    I am impressed with your solidworks design and concept. I use Rhino 3D and visual mill. I am interested in how you set parameters to change models such as scale length. Do you type in a number and the model changes automatically? Do you have a lookup table for different parameters for your instruments? Tell me more please.
    i will eventually. right now its a bit more manual. in solidworks you can contrain everything dimensionally. so if i change the scale to 25.5, the lengh of the neck changes automatically, and the neck back carve updates, fret slots move, inlays move, the body repositions, etc etc.

    eventually all the standard options will be turned into gcode, and the "sales" website will assemble cutting programes based on the options people pick.

  16. #16
    Join Date
    Oct 2004
    Posts
    12

    great work

    Do you have a website? I would certainly be interested in seeing it and buying your gcode for different models. Let me know.
    Fernando

  17. #17
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    Jun 2007
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    3891
    Quote Originally Posted by fbazan View Post
    Do you have a website? I would certainly be interested in seeing it and buying your gcode for different models. Let me know.
    Fernando
    gcode wont be for sale likely, unless you have a ton of cash and license from the design mark holder (which fender isnt offering anymore, gibson never has, and my personal designs wont be licensed).

    i do have a plan to offer a luthiers cnc startup kit which is going to come with a special xzero router, vacuum jigs, ATC spindle, some tool holders and tools, bplu the gcode and instructional video for a tele style body and neck. the tele body shape is public, so it can be distributed the headsotck will be left neutral with instructions for drawing your own.

    my website is just a temp page for now.
    WELCOME TO POLAR GUITARS

  18. #18
    Join Date
    Oct 2008
    Posts
    5
    Here is a shot of a ebony board right of the machine. It is a 16 to 20 compound radius and was done with a 1/2 inch bull nose at 275 feed rate and .001 step over. took 18 minutes to do the radius.
    Attached Thumbnails Attached Thumbnails IMG_6970.jpg  

  19. #19
    Join Date
    Oct 2008
    Posts
    5
    Here is a snakewood board. Striaght from the machine with no sanding. Radius is a straight 16 inches so step over on this .003. It was done in about 8 minutes at 275 feed rate.
    Attached Thumbnails Attached Thumbnails IMG_6972.jpg  

  20. #20
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    Jun 2007
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    3891
    purdy. dont have anything do do with this jig, but looks nice anyway

    8 minutes for a fretboard would not be acceptable. the ones ive done with a 1" ball nose took under 5 minutes, and thats not acceptable either. hence the need to find a totally different solution.

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